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• You can try using the. You may try to continue using the Dusty Groove website, and if you have any trouble placing your order online we suggest you make a list of the items you wish to buy order by phone at Monday through Friday, 10am–4pm, Central Time. A really rare session from groovy Brazilian keyboardist Mario Castro-Neves – originally only issued as part of the obscure Canadian Talent Library series in the 70s! The vibe here is similar to Mario's classic 60s work in Brazil – an electrified take on the style begun by Sergio Mendes & Brasil 66, but served up with an approach that's got a lot more of a 70s groove overall. As with Sergio's, Mario's group features two female singers in the lead – singing side by side in a really great way – but unlike Sergio, Mario has a real ear for writing his own tunes, and contributes a number of great originals to the album, really helping to push it past the obvious, and give it a rich feel of its own! Mario's tunes are totally great – sung in a breezy vocal style, and supported by instrumentation that includes keyboards, guitar, and bits of jazzy horns. Originals include 'Stop Look & Listen', 'Sometime Love Affair', 'Open Up', 'Subtle Chemistry', 'Why Can't There Be You', and 'Boca Grande' – and the album also features a great cover of Stevie Wonder's 'Summersoft'!

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LP, Vinyl record album. A great bit of rare funky soul – recorded by the family of Roy Hamilton shortly after his death. The sound here is kind of a slick take on southern funk – almost in the mode of the Jackson Sisters' singles, but tighter and more compressed. Arrangements on the record were handled by Clyde Otis and Malcolm Addey, and the best tracks have catchy grooving sound with lots of snapping in the rhythm section – done in a way that sounds very nice next to the twin vocals of Roy's sons! Titles include 'Wigglin & Gigglin', 'How Can I Keep In Touch With You (parts 1 & 2)', 'Soul Sister (You're The Baddest Thing Out There)', and 'My Baby Can Get Just As Funky As You Can Get'.

LP, Vinyl record album. An incredible album by one of the best soul jazz reed players to emerge from the LA scene of the 60s! Amy started his career playing R&B-ish organ/ tenor material, but by this point, he was really opening up his bag a lot – hitting modalish grooves that showed definite traces of Coltrane, but which were also still firmly rooted in his Texas tenor tradition. This album's one of his rarest, and it features a very young Roy Ayers (billed as Ron Ayers) playing vibes, plus Marcus Belgrave on trumpet, Roy Brewster on trombone, and John Houston on piano.