31.01.2019

Sean Paul The Trinity Rar

Sean Paul The Trinity Rar Average ratng: 4,1/5 6951 reviews

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Learn how to download music. EMD offers a premium experience that includes unlimited access to CD quality music. Download The Trinity by Sean Paul Sean Paul The Trinity lyrics Temperature [Intro] The gal dem Schilliaci. Sean da Paul So me give it to.

Nov 25, 2006 - DOWNLOAD / ALBUM: Sean Paul - The Trinity.:TRACKLISTING: Fire Links (Intro). RENAME (filename.rar). Posted by toxicboi @ 8:57 pm 0.

So me give to.so me give it to. To all girls Five million and forty naughty shorty. Baby girl.baby girl. Sean da Paul sey. [Chorus] Well woman the way the time cold I wanna be keepin' you warm I got the right temperature to shelter you from the storm Oh lord, gal I got the tactics to turn you on, and girl I. Wanna be the Papa.You can be the Mom.

[Verse 1] Make I see the gal them bruk out pon the floor from you don't want no worthless performer From you don't want no man wey can't turn you on gal make I see your hand them up on ya. Can't tan pon it long. Naw eat no yam.no steam fish. Nor no green banana But down in Jamaica we give it to you hot like a sauna. [Chorus] [Verse 2] Bumper exposed and gal you got your chest out but you no wasters cause gal you impress out. And if you des out a me you fi test out, Cause I got the remendy to make you de-stress out. Me haffi flaunt it because me God Bless out.

And girl if you want it you haffi confess out. A no lie weh we need set speed a fi test the matress out. [Chorus] [Verse 3] Gal don't say me crazy now, this Strangelove it a no Bridgette and Flava show. Time fi a make baby now so stop gwann like you a act shady yo. Woman don't play me know, cause a no Fred Sanford nor Grady yo. My lovin' is the way to go. My lovin' is the way to go.

[Chorus] [Verse 4] When you roll with a player like me. With a bredda like me girl there is no other No need to talk it right here just park it right here keep it undercover From me love how you fit inna you blouse and you fat inna you jeans and mi waan discover. Everything out you baby girl can you hear when me utter. [Chorus (repeat)].

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Country: Jamaica Genre: Dancehall © 2005 Atlantic/VP Records took the pop world by storm in 2003 with the release of the dancehall pop smash, placing songs at the top of the charts, videos in heavy rotation, and his face all over the place. He took his time releasing the follow-up, 2005's, and rather than going even further pop, heads toward a harder, more aggressive sound. The songs sound tailored for dancefloors with little concern for pop airplay and little concern for melody or hooks. This approach works for a song or two, but sooner rather than later the record begins to wear on the listener. Don't bother waiting for a song that isn't hyper-sexualized, tough, and semi-raw or a song that has some of the lightness and space of 'Bubble,' 'Gimme the Light,' or 'I'm Still in Love with You,' because you won't find it.

Some of this may come from the shift in producers from big names with poppier backgrounds like,, and to lesser-knowns like,,, and who don't have much originality in their work. Each song relies on standard synth sounds and straightforward beats and there are precious few surprises on the record, sound-wise. Even, the undisputed star producer on, fails to do much with his songs on. Of course, blaming the producers for a lack of hooks and excitement is like blaming only the coach when a team goes in the tank; you have to lay a large portion at 's feet since he co-wrote all the songs, delivers the vocals, and has his name on the marquee. His vocals are strong enough but overall lack the freshness and vigor of those on. It's almost as if he really isn't all that involved in the songs himself.

Sean Paul The Trinity Rar

In fact, sometimes he sounds like the endless come-ons to incredibly hot girls (all successful), tales of wild nights in the club, and name-dropping (his own) wear him out as much as it does the listener. It doesn't help the opening run of songs ('Head in the Zone,' 'We Be Burnin',' 'Send It On,' and 'Ever Blazin') have all the subtlety (and titles) of a hyperactive yet plodding workout mix, or that only a handful of the songs have even a glimmer of the spark that burned so brightly on. Those few songs, like the bouncy 'Head to Toe,' the bouncier 'Straight Up,' the slick feature 'Connection,' and 'Yardie Bone' (which has smooth vocals from, a much needed light production from, and is probably the best song on the album), aren't enough to lift the album out of its somber funk, and when the disc finally ends, there isn't much motivation to want to hear any of it again. Maybe it's too much to ask for to be as good and surprising and full of life as; maybe it's unfair to ask to catch lightning in a bottle twice.