Tchaikovsky & Beethoven Violin Concertos consist of three conventional classical albums recorded by classical musician Vanessa-Mae before her rise to pop stardom. Track listing Tchaikovsky: Violin Concerto in D, OP. Allegro moderato - Allegro giusto 17:19 2. Canzonetta: Andante 5:54 3. Finale: Allegro vivacissimo 9:06 Beethoven: Violin Concerto in D, Op. Allegro, ma non troppo (22:42) 5.

Larghetto (8:05) 6. Rondo allegro (9:50) London Symphony Orchestra conducted by Keels Bakels 'Total: 73:04'. Violin was the first album released by violinst Vanessa-Mae.

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It was recorded in October 1990, near her 12th birthday, and released shortly afterwards in March 1991. Vanessa-Mae contributed her royalties from the album to the National Society for the Prevention of Cruelty to Children. For the recording, she performed with the Mozart Players as conducted by Anthony Inglis. Track listing Sarasate 1. Carmen Fantasy 13:35 Kabalevksy - Violin Concerto 2. Allegro 4:24 3. Andante 5:01 4.

Vivace Giocoso 5:51 Mozart - `Adelaide' Concerto 5. Allegro 7:21 6.

‘The Violin Player’, released in 1995, is the fourth album by British Singaporean violinist Vanessa-Mae. It’s notable for being her first solo album on a major label, and the first in which she develops her hybrid classical/techno/pop style.

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Prior to this, Mae was primarily a classical musician. Featuring covers of classical pieces, as well as songs written by Mae herself, and for her by producer Mike Batt, ‘The Violin Player’ is a high-octane, energetic glance at how classical influences can be implemented into modern music. Played flawlessly by Mae, her violin playing is breathtaking at such a young age (16 at the time of this albums release), and it’s apparent that here is a young artist with unlimited potential. However, the album sounds pretty cheesy by today’s standards.

Other than the violin, most of the instruments are replicated through keyboards and machines. The machine drumming quickly becomes repetitive, and most of the other “instruments” sound equally lame. However, in fairness, it doesn’t really make much difference to the songs themselves, other than to supply some cheeky grins here and there at how corny it sounds. None of this is a detriment, though, as the record flows smoothly, and with some stellar performances in songs like ‘Contradanza’, ‘Toccata and Fugue in D Minor’, ‘Red Hot’, ‘Classical Gas’, ‘Warm Air’ and ‘Jazz Will Eat Itself’, it’s evident that ‘The Violin Player’ is an exceptional album that introduced a whole new generation to classical music. Fasten your seatbelts.