Bosch does something that many crime, cop, detective shows don't: it remains compelling throughout the season and it doesn't suffer from a Bosch does something that many crime, cop, detective shows don't: it remains compelling throughout the season and it doesn't suffer from a trite ending. In fact, Bosch is one of the few shows--along with Justified--where the dialog, story, visual aesthetics, even the opening sequence, set the tone really well. The whole show is realistic in a way that few are. There are no magical crime scene labs, no one has super powers, people rise and fall (and rise again) from grace, and most importantly, it highlights the arcane politicalness of being a Cop in a major city, that is really just trying to not look bad, ever. Can't wait for season 2. Bosch, Titus Welliver is one of the reasons I was interested in this show. He is brilliant, I admire his role as one the Argents in Teen Bosch, Titus Welliver is one of the reasons I was interested in this show.

I watched Bosch Season 1 before reading any of Michael Connelly's books. It is an excellent production, Titus Welliver is outstanding as Hieronymous Bosch as are most of the cast. Once I had watched season's 1 and 2 I gravitated to the books, having read 4 so far I intend to read the rest.

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He is brilliant, I admire his role as one the Argents in Teen Wolf as well. There are so many crime shows out there that it becomes over whelming, but Bosch is the exception.

The writers, directors, production, actors etc. Have done an excellent job and have me hooked a definite must watch. Looking forward to season three. Slow start, dodgy english and questionable acting by some, but by end of the pilot I was hooked all the way to the end. The suspense was Slow start, dodgy english and questionable acting by some, but by end of the pilot I was hooked all the way to the end.

The suspense was unreal and it was unavoidable to binge watch the series almost in one sitting (although we had to catch a few hours sleep in between). We just had to know what happens next. I never read the books but now I cannot wait to buy them.

I hope for another season.and that it is as good as this was. Police murder/mysteries are a very hard thing to pull off. If the main character is good, then generally the story is bad. If the story is Police murder/mysteries are a very hard thing to pull off. If the main character is good, then generally the story is bad. If the story is good, then generally the direction is bad. And round and round we go.

The bottom line is that there's always something that prevents such shows from becoming true classics of the genre. With Bosch, everything is brilliant. The acting, direction, storylines, plot twists, characters, music/score. Except the script, and the variation in tone throughout the series. The hugely underrated Titus Welliver is truly excellent in the lead role, and heads up a cast who are pretty much all at the top of their game. The problem with the script comes from trying to blend too much source material into one narrative.

The show is based on three books about the character of 'Harry' Bosch, and oh how that's abundantly clear. It's not so much what people are saying, but how their characters are seemingly there for either exposition, or to provide motive for Bosch (or the guy he's after).

It could have been transferred from book to screen so much better. As for the tone, it's something a lot of television series suffer from. Is it a tough procedural police drama?

Is it a pseudo-political thriller? Is it a violent tale of two people dealing with a psychological breakdown? Well, it's all those things, and more besides. So you jump from one 'tone' to another, as the narrative requires which, in a movie is fine as the shifts tend to be short and have an emotive/thought provoking response from the viewer.